FILM : “The Streng Bros. | Modernist Pioneers of the Sacramento Valley”

Sacramento Modern is pleased as punch to share “The Streng Bros. | Modernist Pioneers of the Sacramento Valley”. This short film (~9 mins) was Directed by D. L. Stern, a documentary filmmaker in the Sacramento Area.

Originally airing at the “2019 Sacramento Mid-Century Modern Home Tour – 60 Years of Streng Bros. Homes”, the film features an interview with Jim Streng, and weaves archival material and contemporary photography to tell the story of chance encounters and Carter Sparks’ magic behind our beloved “Native Moderns” – Streng Bros. Homes.

Archival material provided by Steve Streng, Jim & Mary-Jo Streng, Karmen and Bill Streng, Jennifer Sparks, Dodi Sparks, Marty Arbunich and Gretchen Steinberg.

With Production by D.L. Stern, Robert Maurer, Glen Warren and Justin Wood.

Dan runs a project called “In My Own Words”, which helps people create documentary films of their lives which they can share with their loved ones. Dan has a talent for putting this kind of thing together with humor and compassion, and we’re really lucky to have him helming this film. Thanks Dan!

Carter Sparks : Architect, Modernist, Friend

photo courtesy Jennifer Sparks

(There are NEW and EXTENDED gallery hours for the exhibit through closing on Oct. 25th: M&W 10:30-4:00 pm, T&Th 10:00-7:00 pm, Fridays 9:00-4:00 pm & Saturday Oct 21st 10:00-2:00 pm.   Please see map and parking notes at bottom of page.)

Sacramento Modern is pleased to present Carter Sparks : Architect, Modernist, Friend, opening October 4th at the Kondos Gallery located on the Sacramento City College campus. 

Sparks is one of Sacramento’s most recognized and beloved Modernist architects, and is best known for his work with Streng Brothers Homes. Alone, as the architect for the Streng Brothers, Sparks contributed to over 3,000 modern residences in the Sacramento Region. In addition to these plentiful examples, Sparks designed commercial and civic buildings and many custom homes for individual clients, ranging in feature and style from modest low-slung concrete block and plywood structures, to expressionist forms employing hyperbolic roofs and symphonic beam play, to larger cathedrals of redwood and glass.

Architectural rendering of the Fava Residence, 1956 by Carter Sparks

A charismatic individual, and ardent believer that an architect’s design should be based on an extended study of clients’ wants, needs and personality, Sparks forged close and enduring friendships with many of them. This exhibition will feature early drawings, renderings, photographs, models and ephemera surveying Sparks’ output from the early 1950s, until the early 1990s.

Detail from Norskog Residence, 1963/1980. Photograph by Justin Wood

Sparks studied engineering at Oregon State University before his studies were interrupted by WWII, during which he served as an ensign air navigator for the Navy. He resumed his studies after the war, and in 1950 earned a Bachelor of the Arts in Architecture from UC Berkeley. Sparks worked as a draftsman for two architectural firms in San Francisco: first for Mario Corbett, and later with Anshen and Allen (who designed homes for Joseph Eichler). In Sacramento, he was a designer with Gordon Stafford. After earning his state license, Sparks opened his own firm in 1954. He partnered with Donald Thaden for a few years, but primarily worked as a sole practitioner.Sparks was born on February 26, 1923 and passed away October 30, 1996.

Exhibition runs from October 4 -25, 2017 with an opening reception October 11th from 4:30 – 6:30 pm.  

The exhibit is FREE, but parking is not—and is enforced 24/7; be sure to purchase a parking permit at one of the machines in the North Lot ($2 CASH ONLY) or Parking Structure ($2).

There are NEW and EXTENDED gallery hours for the exhibit through closing on Oct. 25th: M&W 10:30-4:00 pm, T&Th 10:00-7:00 pm, Fridays 9:00-4:00 pm & Saturday Oct 21st 10:00-2:00 pm. 

Curated by Sacramento artist Justin Wood of the Carter Sparks Archive ( www.cartersparks.org ) and Sacramento Modern ( www.sacmod.org ).

For inquiries and sponsorship opportunities, please contact sparksarchive (at) gmail.com

Donate to help support the Carter Sparks : Architect, Modernist, Friend exhibition:

Photograph of the Clauss Residence, 1963. Photographer unknown, possibly John Clauss

Sacramento Art Institute Projects : New Tech, Old Places

This past December, Board members Justin Wood and Zann Gates had the opportunity to represent Sacramento Modern for the Art Institute of California – Sacramento’s Special Topics class. The class, run by instructor Jay Truesdale, positioned SacMod as a hypothetical client. The students were asked to apply their artistic sensibilities and imagine ways in which newer technologies could help Sacramento Modern achieve some of its goals : preservation, awareness and education.

From an initial presentation with 5 teams, 3 remaining teams presented their work at the ZionVR gaming center in Sacramento. 

We would like to thank all of the students who put a great deal of thought and work into their proposals and projects, instructor Jay Truesdale, as well as special juror Laura Wood, and the AIA Central Valley for hosting the initial round of presentations.

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City of Sacramento Open Call : Ethel MacLeod Hart Interior Restoration Project

Entrance, Vintage Postcard

Ethel McLeod Hart Senior Center, 915 27th St, Sacramento, CA

Opened in 1961 and designed by Herbert Goodpastor, A.I.A, the Ethel Hart Senior Citizen’s Center located in Marshall Park “symbolize[d] the hopes and dreams of our senior citizens, City Government and a great number of citizens dedicated to the welfare and recreation of our elder population.”

The design was featured in Architectural Record in December of 1962. The “Social Center in a City Park” building was “designed in the round to be viewed from all directions in its block-square park.” It featured a large arc shaped club room that could be divided or expanded into larger or smaller rooms with a massive fieldstone fireplace at one end.

Finishes of stone and vertical fir siding were used both inside and out, with porcelain paneled facias. The central core of the building was a planted court open to the sky viewable thorough the safety glass corridor that surrounded it. There were two doors on either end of the court which one could traverse through upon large circular concrete pavers.

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Mid-Century Madness!

We’re excited to check out “Mid-Century Madness”, a show at Blue Line Arts in Roseville. Opening this Thursday, June 5 — with an Artist’s Reception June 21 — it promises to be a fun exhibition featuring Mid-Century inspired artwork, period furniture, lamps and other crazy stuff representative of the era curated by Tony Natsoulas with contributions from members of SacMod (Sacramento Modern)!

For more information, see the flyer or check out Blue Line’s website at http://www.bluelinearts.org/exhibits/exhibits.html

Mid-Century Madness Flyer